Thor Jonsson
After 27 years as leader of Thor And The Thundercats, Thor Jonsson, aka Thor Kristinsson, has left the Thunderats name behind. Thor started Thor And The Thundercats in 1995, since then becoming one of the more well known bands on the Island. In 2022, with a new CD under his belt, (Me And My Guitar), Thor has taken back his birth name moving forward with his music career.
320kbps
109 Megabytes
Credits:
Thor Jonsson - Vocals, Guitars
Jeremy Sagar - Bass
Sean Grieve - Keyboards
Larry Blatchford - Keyboards
John Chrysler - Drums
Tracklist:
01. Nothin' But Trouble 02:33
02. Place In Space 03:57
03. Me And My Guitar 03:07
04. Count On You 03:39
05. Music Is My Heroin(e) 04:53
06. If Looks Could Kill 04:45
07. Panic Attack 03:28
08. Take A Picture 04:59
09. Better Off With The Blues 03:01
10. Blues Party 04:50
11. Ain't No Runnin' From The Blues 03:52
12. Cruisin' 04:45
terça-feira, 25 de outubro de 2022
Chuck Berry - Live From Blueberry Hill (2021)
Chuck Berry
ST. LOUIS’ BLUEBERRY Hill was a special place for rock & roll innovator Chuck Berry. Not only did he perform his final show there in 2014, the musician played myriad shows at the restaurant and club in his lifetime. Now, the new live album Live From Blueberry Hill is slated for a December 17th release, featuring performances Berry recorded between July 2005 and January 2006.
The album cut “Carol/Little Queenie” drops Monday ahead of the project’s release to coincide with what would have been the late singer’s 95th birthday
Live From Blueberry Hill features 10 tracks recorded with Berry’s Blueberry Hill Band. The handpicked group of performers included his daughter and son Ingrid Berry and Charles Berry Jr. on harmonica and guitar, respectively, as well as bassist Jimmy Marsala, drummer Keith Robinson, and pianist Robert Lohr.
The finalized set list varies from covers (T-Bone Walker’s “Mean Old World”) to Berry’s biggest hits, including “Roll Over Beethoven,” “Sweet Little Sixteen,” and “Johnny B. Goode.”
Berry returned to St. Louis for what would become years of performances at Blueberry Hill in an attempt to get back to his roots. Blueberry Hill owner Joe Edwards recalls the exchange: “You know, Joe, I’d like to play a place the size of the ones I played when I first started out.” The selection of the venue was an obvious choice.
Live From Blueberry Hill marks the first release from Berry since 2017’s Oh Yeah! Live in Detroit, which came out shortly after his death.
128kbps
61 Megabytes
Credits:
Jimmy Marsala - Bass
Keith Robinson - Drums
Charles Berry Jr. - Guitar
Ingrid Berry - Harmonica
Robert Lohr - Piano
Chuck Berry - Vocals, Guitar
Tracklist:
01. Roll Over Beethoven (Live from Blueberry Hill) 03:09
02. Rock And Roll Music (Live from Blueberry Hill) 02:26
03. Let It Rock (Live from Blueberry Hill) 03:28
04. Carol / Little Queenie (Live from Blueberry Hill) 04:40
05. Sweet Little Sixteen (Live from Blueberry Hill) 02:08
06. Around And Around (Live from Blueberry Hill) 01:57
07. Nadine (Live from Blueberry Hill) 02:39
08. Bio (Live from Blueberry Hill) 02:31
09. Mean Old World (Live from Blueberry Hill) 04:07
10. Johnny B. Goode (Live from Blueberry Hill) 02:25
B.B. King - Easy Listening Blues (1962)
B.B. King
"Easy Listening Blues" is a bit of an oxymoron, especially in the hands of B.B. King, who might be smooth and urbane in some respects, but who's rarely recorded music that could be categorized as easy listening. That's the title that Crown used, however, for this all-instrumental 1962 collection. Just prior to leaving Modern for ABC, King did a lot of recording that Modern milked for sides to put out after he'd left the company, and some think these tracks were laid down in late 1961 as part of Modern's demand. Since a big part of the pleasure of listening to B.B. King is hearing his voice, and hearing the songs he wrote and interpreted, an all-instrumental album -- no matter how competently done -- is almost bound to sound like something's missing. And although this is a competent record, it's got to rank as one of his less essential efforts, the ten numbers often sounding like warm-up tunes or background generic blues club filler, hastily ground out to meet a quota. That doesn't mean that it's worthless -- the tunes are pleasant if unimaginative, and King plays with his usual authority, making occasional nods toward the rock & roll twist craze in cuts like "Night Long" and "Hully Gully Twist" (aka "Hully Gully").
320kbps
63 Megabytes
Tracklist:
01. Easy Listening Blues Aka Easy Listening 02:34
02. Blues For Me 02:51
03. Night Long 02:56
04. Confessin' 02:38
05. Don't Touch 02:42
06. Slow Walk Aka Slow Burn 03:12
07. Walkin' 02:44
08. Hully Gully Twist Aka Hully Gully
02:55
09. Shoutin' The Blues 02:40
10. Rambler 02:29
Larry Carter - I Never Lost My Faith (2019)
Larry Carter
This cd features some hot blues from Larry Carter. He transits between Blues Rock and Christian Rock.
320kbps
100 Megabytes
Credits:
Clayborn Huff - Bass
Keith Thibodeaux - Drums
Rayborn Huff - Keyboards, Organ
Larry Carter - Lead Guitar, Rhythm Guitar, Lead Vocals
Jason Davidson - Backing Vocals
Kellie Huff - Backing Vocals
Tracklist:
01. Things You Didn't Do 05:22
02. Exit 03:36
03. Where Could I Go from Here 03:54
04. Where the River Meets the Road 03:59
05. Blue Sky 05:43
06. I Never Lost My Faith 04:33
07. For Just One Need 03:50
08. When God Rocks the House 03:37
09. Found 04:51
10. King of the Hill 04:11
Jimi Hendrix - Live At The Oakland Coliseum (1998)
Jimi Hendrix
The Jimi Hendrix Experience: Live At The Oakland Coliseum is a raw, two-track monophonic audience recording of the Experience at the height of their creative powers.
Spread over two discs, The Jimi Hendrix Experience: Live In Oakland presents the group’s April 27, 1969 concert at the Oakland Coliseum. The Experience’s spirited Oakland performance was capped off with an eighteen minute, extended jam of “Voodoo Child (Slight Return)”. Joining the group onstage for this final number was Jefferson Airplane bassist [and Electric Ladyland contributor] Jack Casady.
The concert was recorded by Ken Koga using a single microphone onto a portable Sony reel to reel deck. The concert was not professionally recorded, so Ken’s amatuer tapes represent the only known documentation of this inspired performance. The monophonic sound is unobtrusive and clear, but far from industry [as well as Jimi’s own] standards.
Fans of the Experience will recognize the set list, as songs such as “Fire”, “Purple Haze”, and “Spanish Castle Magic” were staples of the 1969 US tour repertoire, but there are many intriguing elements marbled throughout the eighty-five minute performance. Highlights include Jimi’s spontaneous reworking of “Hey Joe”, complete with passages about the `soldiers in Vietnam’. Jimi’s two blues workouts, “Red House” and “Hear My Train A Comin'” are particularly strong, as is a raucous, extended rendition of “Foxey Lady”. The evening came to a close with a rousing finale, as Casady climbed onstage to join the group for “Voodoo Child (Slight Return)”.
Este álbum vai para o meu amigo do Residencial Parque Ipiranga.
320kbps
195 Megabytes
Credits:
Noel Redding - Bass, Backing Vocals
Mitch Mitchell - Drums
Jimi Hendrix - Guitar, Vocals
Tracklist:
01. Introduction 00:42
02. Fire 04:19
03. Hey Joe 04:26
04. Spanish Castle Magic 08:53
05. Hear My Train A Comin' 10:25
06. Sunshine Of Your Love 06:45
07. Red House 13:12
08. Foxey Lady 10:35
09. Star Spangled Banner 02:58
10. Purple Haze 04:08
11. Voodoo Child (Slight Return) 18:04
V & the Wholly Cats - A Little Taste (2007)
V & the Wholly Cats
Canadian blues band.
320kbps
112
Tracklist:
01. A Little Taste 04:06
02. Weight Of The World 04:42
03. Closer 05:46
04. Groundbreaker 05:26
05. I Got A Girl 04:41
06. I Was Born 03:36
07. Jail Called Love 03:31
08. Louisiana 04:44
09. My God 04:28
10. Narcissistic Blues 04:59
11. Sugar Babe 04:05
12. My Little Honey Bee 06:44
13. You Don't Know Me 04:16
Little Bobby - Showbiz (2014) reposted
Little Bobby
Nobody ever said that playing the blues was easy.
However, it’s the goal of blues musicians to make it appear that way, hiding countless hours of hard work behind seemingly-effortless performances. Not everyone can pull it off and be well-known in
Out of eight total tracks, the only cover is “I’d Rather Go Blind” by Etta James. The others are a mixture of blues, rock and soul. Sometimes the instrumentation doesn’t quite mesh, and Little Bobby’s vocals are rather raw and often buried in the mix. What makes him and his band tick? They give their all, musically and lyrically, but their unfocused style could benefit from fine-tuning.
2005 was his debut CD, Before the Storm, followed by 2007’s Down, Dirty and Mean, 2008’s I’ve Got a Woman, and a live DVD in 2009 called A Night at the Empire. He’s performed at concerts throughout the U.S. and Europe, including the RAWA Blues Festival in Katiwice, Poland and the Chicago Blues Festival. The Chicago Sun-Times rated Little Bobby and Nora Jean Bruso the number-one band to see. The site reads: “In 2011 the two put together the CD ‘Good Blues’, [which] Little Bobby not only played on but wrote and produced. The album not only appeared on the blues charts but helped push Nora Jean to her 7th BMA nomination for ‘Best Traditional Female Blues Performer.”
Little Bobby’s first instrument was the drums. He got his first set from his aunt and uncle. His passion soon changed and he was turned on by the sound of the guitar. His first influences were the blues style of Jimmy Page and [Jimi] Hendrix. He met another Indian brother, who one day told Bobby, “You have a blues voice.” Already being self-taught, the improvising style of the blues seemed like a natural fit. After getting a cheap recorder he laid down his first blues cut “Hey There Storm” and got his first radio spin on “The Riverside Blues Show.” From there Little Bobby was hooked on the blues.
In the liner notes to the album, Little Bobby says, “…I hope there will be a song on this CD that will help you through tough times or inspires you in your life.” Bobby, who played most of the instruments himself, also thanks saxophonist Maury Finney, drummer Michael “Taco” Valasquez, and second sax player Jimmy Wallace.
In “Showbiz,” at least as it relates to the blues, many are called but few are chosen. Houle has what it takes to make it big! Let’s hope he keeps on truckin’.
320kbps
94 Megabytes
Tracklist:
01. Telephone Blues 03:42
02. Don’t Take My Girl 05:27
03. Showbiz 04:58
04. Mercy Of The Blues 06:13
05. Yes It’s True 04:38
06. Rather Go Blind 04:16
07. You Don’t Know What It’s Like 05:37
08. Upper Room One Day 03:12
Nobody ever said that playing the blues was easy.
However, it’s the goal of blues musicians to make it appear that way, hiding countless hours of hard work behind seemingly-effortless performances. Not everyone can pull it off and be well-known in
Out of eight total tracks, the only cover is “I’d Rather Go Blind” by Etta James. The others are a mixture of blues, rock and soul. Sometimes the instrumentation doesn’t quite mesh, and Little Bobby’s vocals are rather raw and often buried in the mix. What makes him and his band tick? They give their all, musically and lyrically, but their unfocused style could benefit from fine-tuning.
2005 was his debut CD, Before the Storm, followed by 2007’s Down, Dirty and Mean, 2008’s I’ve Got a Woman, and a live DVD in 2009 called A Night at the Empire. He’s performed at concerts throughout the U.S. and Europe, including the RAWA Blues Festival in Katiwice, Poland and the Chicago Blues Festival. The Chicago Sun-Times rated Little Bobby and Nora Jean Bruso the number-one band to see. The site reads: “In 2011 the two put together the CD ‘Good Blues’, [which] Little Bobby not only played on but wrote and produced. The album not only appeared on the blues charts but helped push Nora Jean to her 7th BMA nomination for ‘Best Traditional Female Blues Performer.”
Little Bobby’s first instrument was the drums. He got his first set from his aunt and uncle. His passion soon changed and he was turned on by the sound of the guitar. His first influences were the blues style of Jimmy Page and [Jimi] Hendrix. He met another Indian brother, who one day told Bobby, “You have a blues voice.” Already being self-taught, the improvising style of the blues seemed like a natural fit. After getting a cheap recorder he laid down his first blues cut “Hey There Storm” and got his first radio spin on “The Riverside Blues Show.” From there Little Bobby was hooked on the blues.
In the liner notes to the album, Little Bobby says, “…I hope there will be a song on this CD that will help you through tough times or inspires you in your life.” Bobby, who played most of the instruments himself, also thanks saxophonist Maury Finney, drummer Michael “Taco” Valasquez, and second sax player Jimmy Wallace.
In “Showbiz,” at least as it relates to the blues, many are called but few are chosen. Houle has what it takes to make it big! Let’s hope he keeps on truckin’.
320kbps
94 Megabytes
Tracklist:
01. Telephone Blues 03:42
02. Don’t Take My Girl 05:27
03. Showbiz 04:58
04. Mercy Of The Blues 06:13
05. Yes It’s True 04:38
06. Rather Go Blind 04:16
07. You Don’t Know What It’s Like 05:37
08. Upper Room One Day 03:12
Thanks
Hi guys, I'm fine! I lost my job during the pandemic and now I'm in another one that is very tiring and also leaves me with less free time. I was also a little discouraged with other episodes that happened to me, but I believe the discouragement will soon pass. I am very grateful for everyone's concern. A big hug for everyone!!
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