Max Allen Band
Max's music can be best described as a powerful combination of intricate guitar grooves, heartfelt vocals, meaningful lyrics and extraordinary musicianship sprinkled with elements of jazz, blues, funk and R&B throughout his catalog.
With a penchant for improvisation and experimentation in these multiple genres of music, Max's last two albums, "Earthwalker" and "That's Why" set the stage for what to expect from this rising star in the years to come.
Tracklist:
01. Underwear Umbrella 05:50
02. Too Much 03:58
03. On The Road 04:29
04. Earthwalker 06:12
05. Blood So Cold 04:20
06. Fog Lake 03:00
07. I Know 03:45
08. Left Hand Smoke 03:29
09. Low Profile 05:05
10. Where It's At (Matt's Song) 05:54
11. Teresa's Dream 02:38
12. Where You Begin 03:36
13. On The Road (Reprise) 03:46
Follaje
Formada en 1981, Follaje ha querido mantener una línea definida en cuanto al género del Blues y Blues Rítmico con la idea de sentar un precedente acerca de la raíz principal de lo que es el panorama actual del Rock. El trabajo constante de la banda se encamina a seguir promoviendo el Blues para contribuir al desarrollo de la cultura musical y por otro lado el gusto de interpretar esta música que nace del alma.
El grupo se inició interpretando a los clásicos: Willie Dixon, Muddy Waters, Elmore James, Howlin Wolf, Robert Johnson, John Lee Hooker, John Mayall (dentro de la corriente del Blues inglés), sin embargo la inquietud fue más allá, por lo cual se continuó el cambio para ser una banda con composiciones propias, más ligadas a nuestra realidad y vivencias cotidianas.
Formed in 1981, Follaje has wanted to maintain a definite line regarding the genre of Blues and Rhythmic Blues with the idea of setting a precedent about the main root of what is the current Rock scene. The constant work of the band is aimed at continuing to promote the Blues to contribute to the development of musical culture and on the other hand the pleasure of interpreting this music that is born from the soul.
The group began playing the classics: Willie Dixon, Muddy Waters, Elmore James, Howlin Wolf, Robert Johnson, John Lee Hooker, John Mayall (within the English Blues stream), however the concern went further, so which continued the change to be a band with its own compositions, more linked to our reality and everyday experiences.
Credits:
Adrián Núñez - Bass
Jorge García - Vocals, Harmonica
Oscar Ross - Guitar, Vocals
Elihú Quintero - Guitar
René Rodríguez - Drums
Rosina Conde - Vocal
Tracklist:
01. Rock Me Baby 06:05
02. I'm Tore Down 03:30
03. All Your Love 06:20
04. God Bless The Child 05:59
05. It Hurts Me Too 04:48
06. Got My Mojo Working 04:15
07. Rumblin' On My Mind 06:21
08. Summertime 05:33
09. Walking By Myself 03:53
10. Saint James Infirmary 03:18
The Prime Movers Blues Band
Formed in the summer of 1965 by brothers Michael and Dan Erlewine, The Prime Movers Blues Band’s dedication was the stuff of legend. Refusing to adopt a faux British Invasion look and turning down an offer from Motown, they played their style of Chicago-inspired blues relentlessly around the Detroit area. Featuring the “raw power” of a young James Osterberg on drums (who also lends vocals on their sizzling styling of “I’m A Man”), this first-ever collection of The Prime Movers Blues Band’s recordings includes liner notes from bandleader Michael Erlewine!
Before James Osterberg was Iggy Pop, before Robert Sheff went by “Blue” Gene Tyranny, and before J.C. Crawford whipped crowds of MC5 fans into a frenzy, they all played in the Erlewine brothers’ Butterfield Blues Band-influenced outfit, hustling around the Motor City and more. Previously unavailable in any format, Modern Harmonic is proud to present this inaugural offering from The Prime Movers Blues Band on both CD and LP fittingly pressed at Third Man in Detroit.
Featuring Iggy Pop with his pals who gave him that name!
The Prime Movers played across the Midwest. In 1966, the band attended blues clubs in Chicago where they had the opportunity to see musicians like Little Walter, Magic Sam and Big Walter Horton perform live. Discovered by a subsidiary of Motown Records that wanted to promote them as a band of white boys playing "black music," they refused to cooperate, preferring to study and play the classic style of chicago blues rather than songs composed by the label. The consequence of this was that they never made professional recordings. Only amateur recordings were made by the band and fans. These recordings were recently discovered, and include Iggy Pop singing Muddy Waters' song "I'm a Man."
They contributed significantly to the first two "Ann Arbor Blues" festivals of 1969 and 1970, which were the first and largest blues festivals in the country. Michael Erlewine interviewed several of the artists and the spirit of the festivals led to the idea that leveraged the "Ann Arbor Blues & Jazz Festival" with editions in the years 1972, 1973 and 1974. Some members of the band got involved in editing. from 1972.
In 1967, the band toured the West Coast and spent the Summer of Love in San Francisco, living at Sausalito Heliport and playing at places like The Matrix, The Straight Theater, The Haight A, New Orleans House and The Fillmore West, where they opened a show for Cream.
Tracklist:
01. Endless Blues 09:01
02. Everyday I Have The Blues 06:04
03. Walkin' By Myself 07:55
04. Yonder's Wall 10:16
05. You Better Watch Yourself 06:38
06. Rock Me Baby 05:39
07. Orange Driver 04:54
08. Walking Through The Park 04:49
09. All These Blues 05:56
10. I'm A Man 02:46
Purple Smoke
This Album is, in fact, a Labor of Love between us and the artists who helped to make these songs come alive! The engineers said they had never had such a smooth and delightful time helping us with this! We thank them All!! ENJOY!!
Tracklist:
01. Who Will the Next Fool Be? (feat. Jesse Brown) 03:32
02. Breakin' up Somebody's Home (feat. Jesse Brown) 03:46
03. Rainy Night in Georgia (feat. Jesse Brown) 05:12
04. Who Is He and What Is He to You (feat. Mike Williams) 04:36
05. I'll Play the Blues for You (feat. Jesse Brown) 03:41
06. Straighten It Out (feat. Jesse Brown) 04:14
07. For Your Precious Love (feat. Jesse Brown) 05:13
Joe Survival Caruso
This live recording flows effortlessly from New Orleans Big City Blues to Deep in the Swamp Delta Blues to R&B and back again, reflecting the Artist's decades of life experiences; pain, disillusionment, passion, betrayal and love. It's the BLUES!
When you hail from New Orleans, the term “survival” isn’t used lightly.
Among musicians, the survival instinct also is a notion that inspires respect.
So it’s fitting that Central Florida blues practitioner Joe “Survival” Caruso has adopted the word into his name. It’s more than a nickname to a veteran bandleader and New Orleans native who not only managed to miss Hurricane Katrina’s wrath in his hometown, but also has built a reputation as one of the most solid bluesmen in the Southeast.
It takes work to build such high regard. Long nights on stages at cozy watering holes such as Orlando Brewing, where the eight songs on Caruso’s new live album, “You Never Had These Blues,” were recorded on one memorable, if rainy, night.
“I gotta play these blues and make some money,” Caruso declares in “See You in the Mornin’,” the breezy shuffle that opens the album.
As that song’s hard-driving beat indicates, Caruso favors a straight-ahead foundation that showcases the understated power of bassist Auggie August and drummer/producer - Reno Mussatto. It’s a winning strategy.
Augmented by guitarist Herb Ransburg, the band embraces the Mississippi Delta with the greasy “Thunder and Lightnin’.” And the insistent bass and drums on the closing “Things Ain’t Been the Same” would have fit nicely on one of the definitive singles of the Chess Records era.
Elsewhere, Caruso mines other reliable influences with style:
With its catchy two-chord riff, “Waitin’ On Love” exudes the energy of a seminal Motown hit.
Meanwhile, the title track simmers, rather than steams, above a shimmering guitar part that might be the missing link between blues and jazz. On the frisky “Yearnin’ and Burnin’,” Caruso nudges the music toward funk, a destination that he reaches on “Standin’ on Solid Ground.”
Along the way, Caruso shows a knack for catchy melodies, such as the big, sunny chorus in “You Belong to Him.” It’s a sad song, yes, about a guy whose woman left him. Yet the street-corner doo-wop chorus is utterly joyous, even in the face of such news.
Tracklist:
01. See You in the Mornin’ (Live) 06:05
02. You Never Had These Blues (Live) 05:18
03. Yearnin’ and Burnin’ (Live) 04:43
04. Waitin’ On Love (Live) 05:26
05. Standin’ On Solid Ground (Live) 04:32
06. Thunder and Lightin’ (Live) 04:40
07. You Belong to Him (Live) 05:20
08. Things Ain’t Been the Same (Live) 05:47
John Ortega
Juan "John" Ortega nació en la localidad barcelonesa de Hospitalet en 1965 pero desde muy pequeño reside en Sant Boi de llobregat. Empezó a tocar con una guitarra española a los 16 años de modo autodidacta y desde mediados de los 80 en adelante formó parte de pequeños grupos locales de rock urbano como Perro Negro, Barro, o los barceloneses Voll-Band. En 1993 nacería Sawaro, su proyecto más personal dentro del cual cultivaría un estilo mucho más orientado al blues. Tras cinco años y diversos cambios de formación Sawaro se disuelve. Juan militaría luego en Reservados, otra banda Santboiana de Rock & Blues. En años recientes Juan y sus ex-compañeros han estado tocando de nuevo como Sawaro. Actualmente Juan se halla inmerso en la tarea de auto-producir y editar su música en solitario bajo el nombre artístico de John Ortega.
Tracklist:
01. El Rey 03:14
02. La Tormenta 04:17
03. Otra Larga Noche 03:37
04. El Monstruo 03:29
05. Sin Mirar Atrás 03:55
06. El Enterao 03:06
07. La Trastienda del Sonido 02:58
08. Salvado por AC/DC 03:38
09. No Lo Sé 03:43
10. Viento del Desierto 04:32
11. Nos Puso en la Calle 03:09
RNR Blues Co.
Electric Blues duo on Blues King Records - Rick Beausoleil: Vocal and Harmonica - Roland Desjean: Guitars, Bass.
Tracklist:
01. Midnight Blue 03:20
02. Blues in the Evening 04:19
03. Got the Same Old Blues 04:40
04. Goin’ Back Home 03:00
05. Hard Road Back 03:36
06. Walkin’ on Hallowed Ground 02:42
07. You and We 04:23
08. The Mexican Lottery 03:17
09. Ridin’ High 03:26
10. Coffee 04:22
11. I’m in the Groove 04:02
12. Blues Rock 02:13
Them
Alan Henderson, Billy Harrison and Eric Wrixon reunited in 1979, without Morrison, recording another album, Shut Your Mouth and undertaking a tour of Germany using Billy Bell on drums, and Mel Austin as vocalist.
Credits:
Alan Henderson - Bass
Billy Bell - Drums
Billy Harrison - Guitar
Eric Wrixon - Keyboards, Jew's Harp
Mel Austin - Vocals
Tracklist:
01. Hamburg Connection 04:00
02. I'm A Lover - Not A Worker 02:42
03. Shut Your Mouth 02:56
04. Needed On The Farm 03:49
05. Street Walking Lady 03:40
06. Firewater 02:17
07. Child Of The Sixties 03:49
08. Slow Down 02:50
09. Losing You 04:04
10. Weekend Entertainer 03:23
11. Holy Roller 03:28
12. Cincinnati Dice Man 04:09
Ramon Taranco
Ramon Taranco is a Maple Ontario-based, Cuban-Mexican-Canadian composer & guitarist whose world beat fusion music runs the gamut from Afro-Cuban Jazz and Blues to Southern Rock and New Orleans Funk.
Born in Havana & raised in Toronto, Ramon has Cuban, continental Spanish & indigenous roots in Southern California (Shoshone) & Mexico (Yacqui & Michocan.)
While based in Toronto in the 80's and 90's, Taranco played at many of Toronto's iconic venues including The Riverboat (with Colin Linden and Mendelson Joe), C'est What, Hart House Theatre, the Windsor Arms Hotel's Courtyard Cafe, the Art Gallery of Ontario, the St. Lawrence Centre for the Arts, and in the Senator Hotel's Top O' the Senator Guitar Bar Series. He played for several years with blues harpists Carlos del Junco and Jon Dickie at The Water's Edge Cafe and in blues clubs including Zydeco's and Caps. Ramon also performed live on CBC Radio's Musical Friends and Morningside.
Ramon has also toured in Western Canada & several times across Ontario (including Sudbury's Laurentian University) giving concerts, lecture / recitals & guitar clinics.
Tracklist:
01. Desperate Love 04:00
02. Devil Can Blues 04:54
03. Complicate Blues 04:52
04. Debi Mexico 03:39
05. Suicide Hotel Boogie 05:17
06. Love Survives 06:53
07. The New York Shuffle 06:22
08. Take Her Dancing 06:06
Col. Mike Tyler
This seasoned session Guitarist/Performer for acts such as George Clinton, Billy Joel, Ruffhouse Records and Spearhead, steps out to the front with his debut Blues-Rock effort.
As a seasoned-session Guitarist, you've heard him on records by a diverse array of Artists such as George Clinton, Billy Joel, Spearhead, Amy Grant, Cypress Hill and James Taylor. He has shared the stage with greats such as: Taj Mahal, Pearl Jam, Dave Matthews & G-Love. He was also responsible for the very first ground breaking HIP-HOP MTV Unplugged, which featured now legendary stars such as: LL Cool J, Tribe Called Quest, De La Soul & MC Lyte.
Today, this versatile Guitarist/Songwriter steps out to show the world what he's made of.
Credits:
Col. Mike Tyler - Guitars, Vocals
Dave Shelton - Bass
John Bigham - B3 Organ
Kyle Bruce Vereen - Drums
Montana Tyler - Background Vocals
Tracklist:
01. Don't Look Back 03:24
02. Out Take 20 (Live) 01:07
03. Searchin' 04:02
04. Street Matinee 02:12
05. Walk Across the Moon 02:46
06. Gypsy Haze (Interlude) (Live) 01:35
07. Rug Burn 04:42
Bluesman Mike
The Blues Review Band was formed out of Bluesman Mike's passion for the blues. In New Year of 2007 he decided to go back to his roots by spending his birthday gift on a bass guitar and soon started jamming with a great friend and co-founder of the band, Doug Hill. It was one of those evenings while they're jamming that they decided to form The Blues Review Band. The 1st original members were Scott Stuk (drums), Avi Edelson (Keyboard), Doug Hill (Lead guitar) and Bluesman Mike on vocals and bass. Soon, they're all over the valley doing their love and passion - playing the blues and becoming one of the hottest blues bands out!!! They all had a blast playing all over town but Scott had to go to college and their full time jobs required both Doug and Avi to leave the band. Now Bluesman Mike is jamming and doing gigs with Bobby Nealy, a seasoned and veteran keyboard player from Phoenix, AZ who has been playing for the last 30+ years including playing with the likes of Archie Bell and the Drells, along with his new lead guitar player who is another veteran by the name of Sugar Bear, from Philadelphia who incidentally has been performing for the last 20+ years as a studio musician as well as on stage, a producer, and song writer. To round out, and keeping the band on the one, is his new but also a veteran drummer, Tim Robinson. Tim was born in Germany and has been playing drums all his life. He played with Koko Taylor, Joey DeFrancisco, & Darlene Love. Tim has performed at the Monterrey Blues Festival in 2003 & 2004.
Tracklist:
01. My House 04:05
02. Fix It Man 04:15
03. By the End of the Night 04:43
04. Rump Shakin' Blues 04:43
05. I'll Be Doggone 04:24
06. Thank God I Got the Blues 03:59
07. My Dog & Me 04:32
08. Let the Good Times Roll 04:41
09. Out of Sight 02:47
10. Driftin' Blues 05:02
11. Find Me a Woman 05:16
12. You Don't Miss Your Water 04:31
John Mayall
Featuring tracks by the Powerhouse Four and the Blues Syndicate from 1957 and 1962, respectively. Available only from the official John Mayall web site. From John Mayall's personal archival tapes, the only known recordings made BEFORE The Bluesbreakers! The first release from our own label, Private Stash Records, this CD, Time Capsule, contains 16 previously unreleased live recordings from 1957 and 1962 PLUS recorded comments by Mr. Mayall himself! Although the sound quality is less than high fidelity, as the original recordings were rather archaic, it is nevertheless a collector's dream!
Tracklist:
01. Introduction By John Mayall 00:50
02. Art School Boogie 05:57
03. The Narrow Path 06:52
04. Comments By John Mayall 00:21
05. My Old Man 03:04
06. I'll Be Ready 02:41
07. Classroom Blues 05:01
08. How Long, How Long 03:15
09. Too Close Together 03:58
10. Comments By John Mayall 00:38
11. Hillbilly Blues 04:32
12. Maudie 03:10
13. Twist All Night 03:13
14. It Hurts Me Too 03:00
15. The Hucklebuck 05:29)
16. Got My Mojo Working 05:14
17. Soon Forgotten 04:23
18. Sermonette 05:54
19. No Rollin' Blues 03:53
Bobby Reed
If you love old school Like Otis Redding, Joe Tex and Bobby Bland then you're going to love this Cd. It's Old School but A New Recording
Bobby Reed & Surpize Band has performed throughout the world. Bobby Reed the lead singer and bassist of the group has been performing since the 50's and still going strong. This is one record to have in your collection. All the members or legends. Check it out
Tracklist:
01. Going Home 03:26
02. Be with Me 05:19
03. Bad 03:36
04. Swing Out 03:12
05. Why Do You Have to Lie 03:52
06. The Joint 03:29
07. Worried Dream 03:26
08. I'm Going Back 05:16
09. I'm the Kind of Guy 04:33
Janiva Magness
The pliant voice of Detroit-born songstress Janiva Magness enhanced Kid Ramos' latest CD, so much so that I simply had to check out her new release My Bad Luck Soul. Glad I did, because this is a fine collection of guitar-centric jump and blues.
Magness has relocated to the Left Coast and adopted the region's swinging blues style. Magness is an appealing vocalist capable of lusty passion (" It's Love Baby," "Happy Hour"), gutbucket growling ("My Bad Luck Soul," "Seven Long Days") and jazzy behind-the-beat phrasing (Billie Holiday's "Billie's Blues"). Unlike many blues divas, Magness knows not to overload a song with attitude. Her singing is subtle but intense.
The presence of husband Jeff Turmes is felt throughout My Bad Luck Soul. A fine songwriter and instrumentalist (guitar, bass, sax), Turmes is merely an adequate vocalist. The weakest tracks here are the ones on which he sings lead. Have to wonder why he even bothered to open his mouth when his wife has such great pipes.
Instrumentally speaking, this CD is superb. Axemen Enrico Crivellaro and "Kid" Ramos deliver impressive performances throughout. Pianists Karen Hammack and Red Young help to keep things swinging, and drummer Ed Mann is a dynamo. The song selection is excellent, too, but the sound is somewhat tinny. Still, it should only dissuade the most discerning audiophiles.
Credits:
Janiva Magness - Vocals, Vocals (Background)
Kid Ramos - Guitar
Enrico Crivellaro - Guitar, Guitar (Rhythm), Vocals (Background)
Jeff Big Dad Turmes - Bass, Guitar, Guitar (Acoustic), Guitar (Rhythm), Sax (Baritone), Synthesizer, Vocals, Vocals (Background)
Ed Mann - Drums
Red Young - Piano
Karen Hammack - Piano
Tracklist:
01. My Bad Luck Soul 02:06
02. Tears Of Joy 03:05
03. What's The Matter With The Mill? 03:43
04. Empty Bed Blues 04:55
05. Take A Number 03:36
06. She Never Gets A Minute Of Sleep 03:33
07. The Mojo (Boogie) 03:42
08. It's Love Baby (Twenty Four Hours A Day) 03:44
09. I Wanna Know 04:18
10. Happy Hour 03:29
11. Baby, Baby, Every Night 03:35
12. She's A Little Bit Much 03:11
13. Billie's Blues 03:11
14. Seven Long Days 03:24
The Tightropes
It is striking that the (blues) rock sound from the 70s continues to appeal to our contemporary young generation. Many a band is influenced by Jimi Hendrix, Cream, Led Zeppelin or Mountain.
The same goes for the Groningen trio The Tightropes. This band was founded in 2011 and has now delivered under the motto "I am there for I am" a full-length album on which, according to their own words, they bring music in the tradition of Jimi Hendrix of Cream.
Well I have to say that I don't really see the sound of Cream on this album but the sound of Jimi Hendrix indeed. It is not for nothing that this trio can regularly be found at Hendrix Tributes. The band consists of Marco Boers (vocals, guitar), Dennis Hemstra (bass) and Alan Luring (drums).
They are responsible for a rock-hard blues rock album that opens with Getting Old. A very hard and heavy blues rock shuffle with super heavy guitar riffs. The sound of this song draws to the massive sound of Leslie West’s Mountain. Marco's sneaky vocals must make every effort to rise above the crushing grooving sound barrier. Of course, a screaming and groaning guitar solo is not missing in this song.
Thundering drums, along with a working bass, usher in Babies. This song is clearly in the Hendrix corner ("Fire"), but interspersed with more modest jazzy licks. However, heavy funky rock has the upper hand. Make It Count is a driving funky blues rock song in which the sound of the forgotten funk rockers The Spin Doctors goes hand in hand with ingenious rock a la Sjako! So rock with a very own sound full of separate rhythm changes and breaks. Marco Boers gives his own interpretation of the Hendrix sound here, howling, cutting and roaring raw. In Good Night Sleep the band uses a super heavy looming blues rock song that also has room for some psychedelic elements.
Kicks is again a funky variation on the Hendrix sound. An equally funky, maybe even funkier, song in which the band also plays around with the necessary p-Funk. Marco Boers is again in the foreground with his moaning loud sound.
Jimi Hendrix had his "Red House" and The Tightropes have their Slow Blues. Just as modest and bluesy as the Hendrix song. Marco’s guitar playing varies from warm jazzy to blazing hard. An impressive slow blues!
Finally we get 18th BIrthday. A loosely grooving funk rock song in which the funky blues sound of guitarist Danny Adler (go check this man, or his band Roogalator, out for yourself!). A heady groover with hard staccato distortion guitar riffs.
This Groningen trio keeps the 70's blues rock sound alive in an exciting, impressive and, above all, pruning-hard way!
Tracklist:
01. Getting Old 04:28
02. Babies 04:12
03. Make It Count 04:24
04. Goodnight Sleep 04:27
05. Kicks 05:53
06. Slow Blues 09:10
07. 18th Birthday 02:36
Le Grange
French band that plays blues rock.
Tracklist:
01. Le temps 03:56
02. J’ai mis des mots 04:51
03. Assis sur les riffs de ma jeunesse 04:43
04. Euphrosine 04:10
05. Down 03:27
06. Ne reviens pas 04:34
07. Mais il sait 04:20
08. Viens avec moi 05:06
09. Come On’in 03:30
10. Je serai a l’heure 04:31
11. C’est ma tournee 03:47
The Rodding Stones
The Rodding Stones:
Recorded live at The Royal Albert Hall, London, March 15, 1975
Credits:
Bill Wyman - Bass
Charlie Watts - Drums
Keith Richards - Guitar
Ron Wood - Guitar
Billy Preston - Organ
Kenny Jones - Percussion
Ian Stewart - Piano
Nicky Hopkins - Piano
Billy Preston - Vocals
Keith Richards - Vocals
Rod Stewart - Vocals
Ron Wood - Vocals
Tracklist:
1. Am I Grooving You 04:40
2. Somebody 04:06
3. Mystifies Me 04:45
4. Take A Look At The Guy 05:03
Jimi Hendrix
This is Hendrix with his ‘Band of Gypsys’ – a trio of himself, Billy Cox on bass and Electric Flag drummer Buddy Miles. They group debuted with four concerts, over two evenings, that literally marked the end of the 1960s and ushered in the 1970s. These shows were at the Fillmore East in Manhattan – two on New Year’s Eve 1969 and two on New Year’s Day 1970, each of which were professionally recorded.
The live album Band of Gypsys album was issued only four months later, in March 1970 and was edited and sequenced from songs performed during the two Fillmore sets on 1 January 1970. But it only featured six songs. These news sets take things considerably further, as you might expect.
Credits:
Jimi Hendrix: Guitar, Vocals
Buddy Miles: Drums, Vocals
Billy Cox: Bass, Backing Vocals
Tracklist:
Disc. 01
01. Power of Soul (Live at the Fillmore East, NY – 12/31/69 – 1st Set) 05:30
02. Lover Man (Live at the Fillmore East, NY – 12/31/69 – 1st Set) 03:14
03. Hear My Train a Comin’ (Live at the Fillmore East, NY – 12/31/69 – 1st Set) 09:06
04. Changes (Live at the Fillmore East, NY – 12/31/69 – 1st Set) 05:58
05. Izabella (Live at the Fillmore East, NY – 12/31/69 – 1st Set) 03:29
06. Machine Gun (Live at the Fillmore East, NY – 12/31/69 – 1st Set) 08:54
07. Stop (Live at the Fillmore East, NY – 12/31/69 – 1st Set) 05:30
08. Ezy Ryder (Live at the Fillmore East, NY – 12/31/69 – 1st Set) 05:55
09. Bleeding Heart (Live at the Fillmore East, NY – 12/31/69 – 1st Set) 06:38
10. Earth Blues (Live at the Fillmore East, NY – 12/31/69 – 1st Set) 06:24
11. Burning Desire (Live at the Fillmore East, NY – 12/31/69 – 1st Set) 09:40
Disc. 02
01. Auld Lang Syne (Live at the Fillmore East, NY – 12/31/69 – 2nd Set) 03:54
02. Who Knows (Live at the Fillmore East, NY – 12/31/69 – 2nd Set) 08:40
03. Fire (Live at the Fillmore East, NY – 12/31/69 – 2nd Set) 05:15
04. Ezy Ryder (Live at the Fillmore East, NY – 12/31/69 – 2nd Set) 04:24
05. Machine Gun (Live at the Fillmore East, NY – 12/31/69 – 2nd Set) 13:50
06. Stone Free (Live at the Fillmore East, NY – 12/31/69 – 2nd Set) 17:22
07. Changes (Live at the Fillmore East, NY – 12/31/69 – 2nd Set) 08:06
08. Message to Love (Live at the Fillmore East, NY – 12/31/69 – 2nd Set) 03:37
09. Stop (Live at the Fillmore East, NY – 12/31/69 – 2nd Set) 07:02
10. Foxey Lady (Live at the Fillmore East, NY – 12/31/69 – 2nd Set) 06:45
Disc. 03
1. Who Knows (Live at the Fillmore East, NY – 1/1/70 – 1st Set) 10:52
2. Machine Gun (Live at the Fillmore East, NY – 1/1/70 – 1st Set) 12:38
3. Changes (Live at the Fillmore East, NY – 1/1/70 – 1st Set) 07:25
4. Power of Soul (Live at the Fillmore East, NY – 1/1/70 – 1st Set) 06:15
5. Stepping Stone (Live at the Fillmore East, NY – 1/1/70 – 1st Set) 05:31
6. Foxey Lady (Live at the Fillmore East, NY – 1/1/70 – 1st Set) 07:21
7. Stop (Live at the Fillmore East, NY – 1/1/70 – 1st Set) 06:07
8. Earth Blues (Live at the Fillmore East, NY – 1/1/70 – 1st Set) 08:50
9. Burning Desire (Live at the Fillmore East, NY – 1/1/70 – 1st Set) 08:57
Disc. 04
01. Stone Free (Live at the Fillmore East, NY – 1/1/70 – 2nd Set) 13:12
02. Power of Soul (Live at the Fillmore East, NY – 1/1/70 – 2nd Set) 09:11
03. Changes (Live at the Fillmore East, NY – 1/1/70 – 2nd Set) 09:33
04. Message To Love (Live at the Fillmore East, NY – 1/1/70 – 2nd Set) 05:26
05. Machine Gun (Live at the Fillmore East, NY – 1/1/70 – 2nd Set) 11:52
06. Lover Man (Live at the Fillmore East, NY – 1/1/70 – 2nd Set) 02:36
07. Steal Away (Live at the Fillmore East, NY – 1/1/70 – 2nd Set) 05:53
08. Earth Blues (Live at the Fillmore East, NY – 1/1/70 – 2nd Set) 05:52
09. Voodoo Child (Slight Return) (Live at the Fillmore East, NY – 1/1/70 – 2nd Set) 06:01
10. We Gotta Live Together (Live at the Fillmore East, NY – 1/1/70 – 2nd Set) 09:48
11. Wild Thing (Live at the Fillmore East, NY – 1/1/70 – 2nd Set) 03:14
12. Hey Joe (Live at the Fillmore East, NY – 1/1/70 – 2nd Set) 03:56
13. Purple Haze (Live at the Fillmore East, NY – 1/1/70 – 2nd Set) 04:53
Al Garner
Al Garner recorded in the 1950s, performing a swing, R&B brand of blues that left a small discography of raw sides for labels like Excello and Champion.
Credits:
Al Garner - Vocals
Fred James - Guitar
Johnny Jones - Guitar
Bob Kommersmith - Bass
Dennis Taylor - Saxophone
Andy Arrow - Drum
Billy Earheart - Organ, Piano
Tracklist:
01. Fatback 03:23
02. I'll Be Gone 02:49
03. Something's Wrong 03:39
04. Tell Me 03:47
05. Don't Play In Your Own Back Yard 03:02
06. Set Me Free 02:32
07. Come On Back Home 03:06
08. Wrestlin' With The Blues 04:06
09. About Money 04:20
10. Get Out Blues 02:27
11. Stop Cheatin' And Lyin' 04:35
12. Bright Lights Big City 02:30
13. School Of Hard Knocks 03:58
14. The Eyes Don't Lie 03:48
Marino Valle Band
For many years Marino Valle has sung Rhythm & Blues and Soul of the older school with, among others, Big Band Splash, Gugge Hedrenius Big Blues Band and The Soulmates. In the spring of 2017, the Marino Valle Band joined. The band won the Swedish Blues Challenge and represented Sweden in the European Blues Challenge 2019 in the Azores. In April, the Marino Valle Band released an EP and during the year the band's first album is released.
Marino is made up of experienced musicians who have played with Peps Persson, Sven Zetterberg Blues Band, Patricia Page & The Prophets and French Trion, among others. They offer swinging tunes and caressing southern soul.
Credits:
Marino Valle - Vocals, Harmonica
Mikael Fahleryd - Bass
Michael Edlund - Drums
Matti Ollikainen - Piano
Henrik Pilquist - Guitar
Stefan Sandberg - Tenor Saxophone
Torbjörn Stensson - Baritone Saxophone.
Tracklist:
01. Packed Up and Took My Mind 04:42
02. Love Me Baby 04:04
03. Driftin’ 03:47
04. Chocolate Blues 05:22
05. I Wanna Dance With You 03:32
The Roy Hudson Band
An infectious blend of funky bluesrockin' hook-laden guitar riffin' fun.
Tracklist:
01. Messin' 'Round 03:46
02. Testify 05:18
03. Cadillac Man 03:36
04. Send Me Some Relief (Ice Storm '98) 05:25
05. Won't You Let Me Know? 05:14
06. You Got No Time 05:16
07. Love Groove 04:07
08. There's A Party At Pete & Vickie's 04:39
09. Gemini 04:11
10. Goin' Back To Livermore 05:31
11. Goodbye Blues 01:42
12. Lonely Heart 02:53
Mississippi Mudsharks
Formed in 1992 by guitarist Scottie "Mad Dog" Blinn and drummer Tom Essa, the Mississippi Mudsharks were favorites on the San Diego roots rock scene for over half-a-decade before applying the brakes in 2000, which makes Train Rolls On a reunion of sorts. A power trio (Mike Lars handles the bass duties) specializing in a kind of punk blues driven by Blinn's gruff, Wolfman Jack-like vocals and blistering slide playing, the Sharks open the throttle here on the title track and then never look back, blasting through an impressive set of bluesy voodoo rock. Among the highlights are the classic "Train Rolls On," the template for most of what these guys do, "Throw It in the Hole," which sounds like a rocking Tom Waits out in front of a top-notch power trio, the spooky and gliding "Devil's Road," given additional eerie atmosphere by guest Johnny Smokes' pedal steel playing, and the straight blues "Can't Put Down the Drink," which shows that Blinn can gear down and play this stuff clean when he chooses to. This is no-nonsense punk blues with pedigree and attitude, but filled too with subtle variety and flashes of humor, and it shows an intelligent band with clear purpose behind all the bluster and power.
Credits:
Scottie "Mad Dod" Blinn - Guitar, Vocals
"Big" Mike Lars - Bass
Tom Essa - Drums
Johnny Smokes - Pedal Steel Guitar (tracks: 05, 07)
Roxanne Blinn - Percussion (tracks: 06)
Tracklist:
01. Train Rolls On 04:01
02. Crimson Sky 02:35
03. Throw It in the Hole 04:14
04. 30 Weight Shuffle 04:12
05. Lakeside Redneck Shindig 02:28
06. Hangin' Tree 04:55
07. Devil's Road 03:35
08. Can't Put Down the Drink 09:34
09. Zombie Whip 04:11
10. Down the Line 03:47
11. Slow Rollin' 03:40
Pedro Teixeira
First album this great french blues guitarist.
Credits:
Pedro Teixeira - Guitar, Vocals
David Giroud - Guitar
Renaud Steinhausser - Piano
Frank La Roccaz - Bass
Frédéric Chapperon - Drums
Tracklist:
01. Elle Aime Les Filles 03:51
02. J'aurais Mieux Fait 03:24
03. J' Comprends 04:22
04. Je Ne Peux Plus Me Passer De Toi 04:09
05. Je Veux Être Avec Toi 03:55
06. Lolita 02:47
07. Malheureux En Amour 03:27
08. Nico El Loco 03:29
09. Reprenons 03:22
10. Sans Toi 04:15
11. Si J'aime 04:56
12. Tout Reprendre A Zéro 04:02
Pedro Teixeira
Live cd from this french blues guitarist.
Tracklist:
01. Dans Les Magazines Que J'aime 03:43
02. L'hotesse De L'air 03:52
03. Nico El Loco 04:05
04. On Se La Coule Douce 03:16
05. Ne Rentre Pas Bourre 05:22
06. J'y Croyais Pour De Bon 04:23
07. Lolita 02:49
08. Moi J'suis Hetero 03:24
09. Ce Soir, Je Peux Voler 03:53
10. Fallait Pas Commencer 02:32
11. Sous La Neige En Decembre 03:37
12. Menteurs 05:15
13. Rebecca 03:37
14. Venga Venga 03:37
15. Je Veux Etre Avec Toi 02:46
16. Lolita (Alternative Version) 03:31
The Jonny Monster Band
Fast paced rock n' blues music. Searing slide guitar reminiscent of Johnny Winter, and wailing note bends holding their own to the late Stevie Ray Vaughan.
Tracklist:
01. It's My Own Way 03:47
02. It's Been So Long 04:59
03. Anyway You Want It 03:32
04. I Ain't Gonna Lie 03:58
05. Dreambats 04:29
06. Instead of Hello 03:03
07. 77 Cornell St. Blues 02:00
08. Bad Times Before 05:41
09. Human Nature 03:17
10. Ain't Going Back 03:44
Dynamite Blues Band
Medicine! The new album by the Dynamite Blues Band is stimulant, painkilling and extremely addictive. The third, highly anticipated album contains 12 original songs. Influenced by the most diverse genres, the band stays true to their blues roots. The recipe is a dangerous mix of raw power, high energy and old skool songwriting. The Dynamite Blues Band made a musical prescription for every emotion, making Medicine the only drug you need.
Credits:
Wesley van Werkhoven - Vocals, Bluesharp
JJ van Duijn - Guitar
Renzo van Leeuwen - Bass
Jan Aandewiel - Drums
Tracklist:
1. Double Barrel Shotgun 03:16
2. Medicine 03:20
3. Take It All 02:47
4. Messed It Up Again 04:33
5. Misery Train 02:14
6. My Baby Left Me For A Rich Man 03:48
7. I Still Don't Know 03:36
8. Can't Stop 03:15
9. Pull The Trigger 03:34
10. Schizophrenic Woman 03:23
11. Fast Track To Nowhere 02:35
12. This Ain't Goodbye 03:04
The Jonny Monster Band
The Jonny Monster Band is a Rock n Blues band from New Paltz, NY. Known for their fast take on the blues and rock and roll, they deliver a gut wrenching style that will stop you in your tracks. With monster guitar work and a tight rhythm section they focus mainly on an older sound, throwing in their spin to the old blues. In just 3 short years The Jonny Monster Band has played many memorable events including opening for the legendary guitarist Johnny Winter at the Bearsville Theater on January 29th, 2011.
Credits:
01. Drunken Joke 04:22
02. Money Tree 02:55
03. Bad Cream 06:45
04. Before the Hills 04:05
05. Whiskey and Smoke 03:43
06. I Got Your Letter 03:31
07. Not So Magic 03:28
08. Succubus 03:41
09. One Night Stand 03:54
10. We Could Rule 07:23
Big Band of Brothers
The best music is timeless and malleable, lending itself to interpretation. Such is the music of The Allman Brothers Band. As you know, this is the 50th anniversary of the release of their first studio album. This year has seen multiple Allman Brothers-related projects, many of which were covered on these pages. This may be the most unique of them all, hearing a 15-piece big band replicate and interpret classic Allman Brother material, often with various horns playing those indelibly memorable guitar lines on Big Band of Brothers: A Jazz Celebration of the Allman Brothers Band.
It’s somewhat surprising that more projects like these don’t come along. Executive producer John Harvey mentions in the opening liner notes that he was inspired by Bob Curnow’s 1991 L.A. Big Band recording, The Music of Pat Metheny and Lyle Mays, known songs performed in a big band context. He states that he’s always wanted to do a similar project of early original Allman Brothers material but was unable to do so until connecting with producer Mark Lanter, who he knew as a drummer in the University of Alabama Jazz Ensemble from the ‘70s. Lanter plays the drums here throughout the album. Further connections were made, notably co-producer Charles Driebe, who brought Ruthie Foster to the project.
The packaging is wonderful in that the back cover details the soloists for each piece. Six of them are graced with high profile guests as Marc Broussard handles the vocals on “Statesboro Blues,” and in searing style on “Whipping Post.” Foster has never sounded better than she does on “It’s Not My Cross to Bear” and “Don’t Keep Me Wondering.” Those alone are worth a listen to this entire recording. Lauded trombonist and multiple Downbeat winner for that instrument, Wycliffe Gordon, delivers an impeccable soprano trombone solo on “Don’t Want You No More” and wrote the very unusual arrangement for “Statesboro Blues.” Former ABB guitarist Jack Pearson has the riveting slide part in “Stand Back.”
As good as all those performances are, however, none should be surprising. The surprises come in the soloists from the big band, 15 chairs and 22 different players. In other words, some are playing on certain selections while others are aboard throughout. The instrumental tracks are equally as compelling as the vocal ones whether it’s “Hot “Lanta” (four soloists), “Dreams” (solo from trombonist Chad Fisher), “In Memory of Elizabeth Reed (five soloists), and the closing epic 12 minute version of “Les Bres In A Minor” with its improvisational pre-amble and the piece itself that features four soloists. Among the many stunning solos are Kelly O’Neal’s alto on ”Don’t Want You No More” and the Nathan McLeod and Jimmy Bowland dueling sax solos heard in separate channels on “Don’t Keep Me Wondering.” At least nine band members solo at least once.
While many would not associate the Allman Brothers with jazz despite their improvisational gifts, there are some interesting recollections from ABB band members about the group’s leanings toward jazz. Gregg Allman early on told journalist Bob Beatty, “Jaimoe turned all of us on to so much neat stuff. He gave us a proper education about jazz and got us into Miles Davis and John Coltrane. Kind of Blue was always on the turntable – Duane really got his head around that album – and he also seriously dug Coltrane’s My Favorite Things. Warren Haynes related this in 2013, “It’s interesting when you think about Duane’s roots in blues and R&B. As he was growing as a musician, jazz musicians were becoming more and more important to him. He talked a lot about how important Coltrane was in influencing him. It’s almost a cliché to say that you’ve been influenced by John Coltrane these days because it’ so obvious that he’s an icon. But for somebody in the early ‘70s to actually take that influence into a rock or pop sensibility was quite a stretch. Perhaps he helped to make Coltrane a universal influence in ways he didn’t even realize, the same way that people like Duane and Clapton contributed to the rediscovery of Robert Johnson.”
Listening to these jazz interpretations, Duane would likely be proud. It’s almost like hearing the band all over again, as the big band recreates that initial excitement and deep feeling of soul that this writer recalls hearing the first ABB studio album in a dorm room 50 years ago.
Credits:
Tom Wolfe - Electric Guitar (tracks 2, 3, 4, 5, 7, 8, 10)
Matt Casey - Electric Slide Guitar (tracks 1, 9)
Mark Lanter - Drum (all tracks)
Abe Becker - Acoustic & Electric Bass (tracks 3, 5, 7)
Chris Kozak - Acoustic & Electric Bass (tracks 1, 4, 6, 9)
David Ray - Acoustic & Electric Bass (tracks 2, 8, 10)
Andy Nevala - Piano, Hammond B-3, Rhodes (all tracks)
Rob Alley - Trumpet, Flugelhorn (tracks 3, 5, 8, 10)
Mart Avant - Trumpet, Flugelhorn (tracks 1, 2, 4, 6, 7, 8, 9, 10)
Barney Floyd - Trumpet, Flugelhorn (all tracks)
Chris Gordon - Trumpet, Flugelhorn (all tracks)
Bill Huber - Trombone (tracks 2, 8, 10)
Billy Bargetzi - Trombone (all tracks)
Chad Fisher - Trombone (tracks 1, 3, 4, 5, 6, 7, 9)
Jimmy Bowland - Saxophone Alto (tracks 1, 4, 6, 9)
Steve Collins - Baritone Saxophone (all tracks)
Dick Aven - Saxophone Tenor & Soprano (all tracks)
Mace Hibbard - Alto Saxophone (tracks 3, 5, 7)
Nathan McLeod - Tenor Saxophone (all tracks)
Kelley O’Neal - Alto Saxophone (tracks 2, 8, 10)
Brandon Slocumb - Bass Trombone (all tracks)
Dave Crenshaw - Congas, Percussion (tracks 2, 4, 8, 10)
Guest Artists:
Marc Broussard - Vocals (tracks 1, 5)
Ruthie Foster - Vocals (tracks 3, 9)
Jack Pearson - Electric Slide Guitar (track 6)
Wycliffe Gordon - Soprano Trombone (track 2)
Tracklist:
01. Statesboro Blues (feat. Marc Broussard) 05:13
02. Don’t Want You No More 03:48
03. It’s Not My Cross to Bear (feat. Ruthie Foster) 07:51
04. Hot ‘Lanta 05:15
05. Whipping Post (feat. Marc Broussard) 05:11
06. Stand Back 05:35
07. Dreams 06:38
08. In Memory Of Elizabeth Reed 07:11
09. Don’t Keep Me Wonderin’ (feat. Ruthie Foster) 04:07
10. Les Brers In A Minor 12:03
Demian Band
Demian Dominguez, remarked as a songwriter and singer was born in Argentina and rooted in Spain now has been touring hard all around Europe, South America and the U.S.A. He has shared stage with well known artists like Jimmie Vaughan, Los Lobos, Eric Sardinas, Paul Shortino, Bernard Allison, Javier Vargas, Raimundo Amador, Pappo, Alejandro Lerner, Ricardo Mollo amongst many others.
DEMIAN BAND launched 6 albums and they’re touring non stop and keep increasing the number of fans. The last album is being performed in 11 countries where the band is headlining many of the most best valued festivals.
Demian Dominguez is a songwriter and producer of his 6 albums. He was highly awarded and the “Matamp” British Amplifiers launched in 2009 the “Matamp Demian” signature amp.
Tracklist:
01. Souveners from Hell 02:42
02. You Don't Love Me 04:37
03. Whiskey Lies 04:42
04. Cry Baby 03:43
05. Appaloosa 02:12
06. Waiting 03:38
07. I'll Wotta Woman 03:17
08. I'll Be There 04:46
09. Ain't No Sunshine 03:53
10. Leters I'm Not Going to Send You 04:37
Clarence Carter
Singer Clarence Carter exemplified the gritty, earthy sound of Muscle Shoals R&B, fusing the devastating poignancy of the blues with a wicked, lascivious wit to create deeply soulful music rooted in the American South of the past and the present. Born January 14, 1936, in Montgomery, AL, Carter was blind from birth. He immediately gravitated to music, teaching himself guitar by listening to the blues classics of John Lee Hooker, Lightnin' Hopkins, and Jimmy Reed. He majored in music at Alabama State University, learning to transcribe charts and arrangements in Braille.
With blind classmate Calvin Scott, Carter in 1960 formed the duo Clarence & Calvin, signing to the Fairlane label to release "I Wanna Dance But I Don't Know How" the following year. After the 1962 release of "I Don't Know (School Girl)," Clarence & Calvin left Fairlane for the Duke imprint, renaming themselves the C & C Boys for their label debut, "Hey Marvin." In all, the duo cut four Duke singles, none of them generating more than a shrug at radio -- finally, in 1965 they traveled to Rick Hall's Fame Studio in Muscle Shoals, AL, paying $85 to record the wrenching ballad "Step by Step" and its flip side, "Rooster Knees and Rice." Atlanta radio personality Zenas Sears recommended Clarence & Calvin to Atlantic producer Jerry Wexler, and the label issued "Step by Step" on its Atco subsidiary -- the record failed to chart, and the duo was once again looking for a label.
Backed by a four-piece combo dubbed the Mello Men, Clarence & Calvin spent the first half of 1966 headlining Birmingham's 2728 Club. One Friday night in June while returning home from the nightspot, the group suffered an auto accident that left Scott critically injured, initiating an ugly falling-out with Carter over the resulting medical bill. In the meantime, Carter continued as a solo act, signing to Hall's Fame label for 1967's "Tell Daddy," which inspired Etta James' response record, "Tell Mama." The superb popcorn-soul effort "Thread the Needle" proved a minor crossover hit, and after one additional Fame release, "The Road of Love," Carter returned to Atlantic with "Looking for a Fox," issued in early 1968. "Looking for a Fox" proved the first of many singles to slyly reference the singer's visual impairment, not to mention showcasing the libidinous impulses that dominate many of his most popular records.
But few performances better typified the emerging Carter aesthetic than "Slip Away," a superior cheating ballad spotlighting his anguished, massive baritone alongside the remarkably sinuous backing of Fame's exemplary backing band. The record was a Top Ten hit, and its follow-up, "Too Weak to Fight," also went gold, solidifying Carter's newfound commercial appeal. He ended 1968 with a superbly funky Christmas single, the raunchy "Back Door Santa," in addition to mounting a national tour featuring backing vocalist Candi Staton, who later became Carter's wife as well as a soul star in her own right.
The percolating "Snatching It Back" was Carter's first Atlantic release of 1969 -- its B-side, a remake of James Carr's deep soul classic "The Dark End of the Street," remains one of the singer's most potent efforts, drawing on traditional blues and gospel to explore both the absurdity and anguish of infidelity. Subsequent singles including "The Feeling Is Right," "Doing Our Thing," and "Take It Off Him and Put It on Me" were only marginally successful, but in 1970 Carter returned to the Top Ten with the sentimental "Patches," his biggest hit to date. He nevertheless stumbled again with a run of 1971 releases like "Getting the Bills" and "Slipped, Tripped and Fell in Love," and in the wake of "If You Can't Beat 'Em" -- a duet with Staton -- Carter left Atlantic in 1972, returning to Fame with "Back in Your Arms Again."
Released in 1973, the leering "Sixty Minute Man" proved a novelty hit, but in 1975 he attempted to reignite his career at ABC, releasing "Take It All Off" and "Dear Abby" to little notice. By the end of the decade Carter was relegated to small independent labels like Future Stars and Ronn, and in 1980 signed to Venture for the ill-advised "Jimmy's Disco" and "Can We Slip Away Again?" In 1985 he resurfaced on the fledgling Ichiban label, returning to the ribald deep soul of his heyday -- the LP Dr. C.C. earned positive reviews and spawned the hilariously lewd "Strokin'," a major word-of-mouth hit. (A sequel, "Still Strokin'," followed in 1989.) Carter continued recording and touring regularly into the 21st century, maintaining a strong fan base throughout the South.
Tracklist:
01. You Talk to Much 02:28
02. Got a Thing About You Baby 02:26
03. Everybody Plays the Fool 02:53
04. Lovely Days 03:31
05. Women Don't Go Astray 02:22
06. Brick House 03:41
07. I'm Easy 03:58
08. Starting All Over Again 02:41
09. Backstabbers 02:47
10. You Don't Have to Say You Love Me 03:24
11. Drift Away 03:55
Johnny Mazz
There are three words to describe Mazz: soulful, emotional, and heartfelt, which is heard in his playing, singing, and songs. Johnny Mazz, a seasoned musician, published song writer, and entertainer, teams up with Joe Heat another seasoned musician, published song writer on drums and percussion to record Johnny Mazz & The Heat's first CD, "Better Days". Produced and recorded by Mazz and Heat at Hot Rod Studios in Brick, New Jersey, this is a must have CD that covers the entire blues genre. You won't be disappointed with this one. Mazz and Heat have bestowed their souls in every song for all to enjoy.
This album basically runs the blues spectrum, going from basic blues to modern rock blues to a taste of delta blues and even to a bit of gospel. Mazz sings and plays with soul and emotion in every song, it's a must have.
Tracklist:
01. Sweet Lovin Woman 03:23
02. In My Dream 03:34
03. Sad Man Blues 05:47
04. Destiny 07:29
05. Better Days 03:12
06. I Know a Little 03:38
07. Why 04:03
08. Keep The Faith 05:35
09. Don't Be a Fool 04:27
10. Judgement Day 04:20
11. Love In Vain 04:21
12. Venician Nights 03:38
