Elvin Bishop's Big Fun Trio
Elvin Bishop’s Big Fun Trio are back with a new album, Something Smells Funky ‘Round Here, released July 13th on
Alligator Records. Featuring Bishop on guitar and vocals, Bob Welsh on
piano and guitar, and Willy Jordan on cajon (a Peruvian, wooden box,
hand drum) and vocals, the album is produced by Bishop and Steve
Savage. It is the follow up to their award-winning Big Fun Trio, which also received a Grammy Award nomination in 2017.
A fixture of the music industry for decades, Elvin Bishop has been
blazing his own trail since he began playing guitar with the legendary Paul Butterfield Blues Band
in 1963. He formed the trio in 2015 with Bob Welsh and Willy Jordan.
The Rock and Roll Hall of Fame inductee has enjoyed success – perhaps a
bit too much at times, by his own admission – as a session player, band
leader, songwriter and performer, working with some of the biggest names
in the blues, rock and Southern rock. Bob Welsh is an established
session and touring musician; Willy Jordan is a first-call percussionist
and vocalist, as well as a band leader in his own right.
The album opens with the title track “Something Smells Funky ‘Round
Here,” featuring Bishop and Jordan sharing the chorus and trading verses
in an unforgiving, yet good-natured rebuke of a dysfunctional
Washington D.C., with lines like, “…funky, like a bad pot of
chicken/Funky, like some old, rotten politician.” Set to a slow-grinding
rhythm, powered by twin, vamping electric guitars and thundering cajon
playing, it’s a good introduction to the relaxed vibe found throughout
the record.
A stripped-down cover of Jackie Wilson’s
“(Your Love Keeps Lifting Me) Higher and Higher” remains faithful to
the upbeat tone and tempo of the original, while giving it a front
porch, down home make-over. Jordan’s powerful, joyful falsetto singing
and Bishop’s fret work, where he shifts smoothly from finger-picking, to
slide, to whammy-bar, is worthy of repeated listens.
“Right Now is the Hour” is a cover of one of Bishop’s songs from his
1978 , “The Skin I’m In.” It’s a feel-good tune about living in the
moment. Just as Bishop and Jordan sing the lyrics together, their guitar
and cajon play in rhythmic unison, with rollicking keyboard flourishes,
provided by Welsh.
Big Fun Trio pays respect to Fats Domino, covering “Another Mule.” Bishop and Welsh nicely interweave their guitar playing and Jordan plays it with a light touch.
“That’s the Way Willy Likes It” is a funky, bluesy romp with an
infectious sing-along chorus. Toward the end of this syncopated gem,
Jordan calls out, “Let me get some!” before taking a short, booming
cajon break and then singing, “Play your ‘gitar,’ Elvinnn!” before
Bishop plays into the outro chorus.
There are two instrumentals on “Something Smells Funny ‘Round Here.”
The up-tempo “Bob’ Boogie” features Welsh delivering a finger-blurring,
barrel house, piano boogie. “Stomp,” a dirty-toned, slide guitar and
finger-picking romp, was originally done on Bishop’s album That’s My
Partner in 2000.
The poignant “I Can’t Stand the Rain” is a cover of the Tina Turner
classic. Again, Jordan delivers a solid vocal performance, set to the
back drop of some super-funky bass, soulful keyboards and spot on slide
guitar accentuation.
“Looking Good” is an entertaining, grizzle-voiced, spoken-word
reflection by Bishop about living a hard but rewarding life. Set to a
slow, piano-saturated, blues stroll, Bishop shares a few brief anecdotes
about some of his colorful friends from his hard-drinking days.
Carried by accordion and piano, and driven by Jordan’s cajon, the
bouncing, bayou blues number, “My Soul” closes the album. Bishop’s
guitar tone and playing sounds as raw and biting as it did back in the
60s.
Once again, Elvin Bishop’s Big Fun Trio lives up to the promise of
their name. “Something Smells Funky ‘Round Here” is an unpretentious
masterpiece, thanks to its simplicity and its heart.
sexta-feira, 13 de julho de 2018
quinta-feira, 12 de julho de 2018
Bill Lyerly Band - Cobalt Blues (2001)
Bill Lyerly Band
"Sizzling guitar licks and blues sensibility" Living Blues "The Tulsa Sound- reminiscent of Clapton´s early solo albums.
Singer and guitar player Bill Lyerly has been an unexpected discovery. Both CDs have not a single bad track on them and Bill shows himself as a complete versatile tasteful musician. He is a powerful performer with a mastery musical vision, not only as singer and guitar player but also as songwriter and producer. There are no tricks on these two CDs, because they are two real blues records with some southern rock, American roots and rock and roll influences. Bill is a veteran of music business and his wide musical experience has led him to work with such prestigious musicians like Gregg Allman, Eric Burdon, Hank Ballard, Nappy Brown, Bo Diddley, Rick Nelson, Leon Russell, Levon Helm, John Lee Hooker, The Fabulous Thunderbirds and Roomful of Blues among many others during his wide musical career and many years 'on the road'. If you like big caliber blues of the highest quality based on a serious solid lasting basis, Bill Lyerly will certainly become one of your favourites.
"Sizzling guitar licks and blues sensibility" Living Blues "The Tulsa Sound- reminiscent of Clapton´s early solo albums.
Singer and guitar player Bill Lyerly has been an unexpected discovery. Both CDs have not a single bad track on them and Bill shows himself as a complete versatile tasteful musician. He is a powerful performer with a mastery musical vision, not only as singer and guitar player but also as songwriter and producer. There are no tricks on these two CDs, because they are two real blues records with some southern rock, American roots and rock and roll influences. Bill is a veteran of music business and his wide musical experience has led him to work with such prestigious musicians like Gregg Allman, Eric Burdon, Hank Ballard, Nappy Brown, Bo Diddley, Rick Nelson, Leon Russell, Levon Helm, John Lee Hooker, The Fabulous Thunderbirds and Roomful of Blues among many others during his wide musical career and many years 'on the road'. If you like big caliber blues of the highest quality based on a serious solid lasting basis, Bill Lyerly will certainly become one of your favourites.
Roy Gaines - Bluesman For Life (remastered) (2014)
Roy Gaines
A protege of the legendary T-Bone Walker, electric bluesman Roy Gaines was born in Houston in 1934; the product of a musical family - his older brother Grady later went on to play saxophone in Little Richard's famed backing band the Upsetters - he initially played the piano in emulation of Nat King Cole, but as a teen moved to the guitar. A huge admirer of Walker's work, at 14 Gaines met his hero at a local performance, and was even invited to back Walker onstage; dubbed "T-Bone Jr." thereafter, he regularly played clubs throughout the Houston area before relocating to Los Angeles two years later. There Gaines was tapped to join Roy Milton's band, followed by a stint in support of Chuck Willis; additionally, he and Walker occasionally joined forces in the years leading to the latter's 1975 death. Long a sought-after sideman, Gaines recorded infrequently as a headliner, finally releasing an LP, Gaineling, in 1982; other albums include 1996's Lucille Work for Me, 1999's I Got the T-Bone Walker Blues and 2000's New Frontier Lover.
A protege of the legendary T-Bone Walker, electric bluesman Roy Gaines was born in Houston in 1934; the product of a musical family - his older brother Grady later went on to play saxophone in Little Richard's famed backing band the Upsetters - he initially played the piano in emulation of Nat King Cole, but as a teen moved to the guitar. A huge admirer of Walker's work, at 14 Gaines met his hero at a local performance, and was even invited to back Walker onstage; dubbed "T-Bone Jr." thereafter, he regularly played clubs throughout the Houston area before relocating to Los Angeles two years later. There Gaines was tapped to join Roy Milton's band, followed by a stint in support of Chuck Willis; additionally, he and Walker occasionally joined forces in the years leading to the latter's 1975 death. Long a sought-after sideman, Gaines recorded infrequently as a headliner, finally releasing an LP, Gaineling, in 1982; other albums include 1996's Lucille Work for Me, 1999's I Got the T-Bone Walker Blues and 2000's New Frontier Lover.
quarta-feira, 11 de julho de 2018
Canned Heat - Human Condition (1978)
Canned Heat
Canned Heat lived on the wild side while enjoying immense popularity, primarily during the early to late '70s. This production marks vocalist Bob "The Bear" Hite's last complete recording with the band due to his passing on April 5, 1981. Recorded in 1977 and released in 1978, this set features guest appearances by blues-rock guitarist Harvey Mandel and backing vocals by the Chambers Brothers on selected tracks. Essentially, this affair features a fairly typical exposition of what many listeners would come to expect, as the group works its way through a series of high-octane blues, rock, and boogie motifs. Hite was in good form throughout while also displaying potent chops as a viable blues harpist whereas guitarists Mark Skyer, Chris Morgan, and Mandel implement raucous crunch chords amid some scathing lead lines. Hence, this effort represents a hearty snapshot of the quintet's overall appeal. There are some memorable tracks here, although this offering didn't garner widespread recognition upon its initial release.
Canned Heat lived on the wild side while enjoying immense popularity, primarily during the early to late '70s. This production marks vocalist Bob "The Bear" Hite's last complete recording with the band due to his passing on April 5, 1981. Recorded in 1977 and released in 1978, this set features guest appearances by blues-rock guitarist Harvey Mandel and backing vocals by the Chambers Brothers on selected tracks. Essentially, this affair features a fairly typical exposition of what many listeners would come to expect, as the group works its way through a series of high-octane blues, rock, and boogie motifs. Hite was in good form throughout while also displaying potent chops as a viable blues harpist whereas guitarists Mark Skyer, Chris Morgan, and Mandel implement raucous crunch chords amid some scathing lead lines. Hence, this effort represents a hearty snapshot of the quintet's overall appeal. There are some memorable tracks here, although this offering didn't garner widespread recognition upon its initial release.
Brian Lee & The Orbiters - In Orbit (2013)
Brian Lee
In Orbit features several tunes with a Chicago lean, kicking off with Sonny Boy Williamson’s “Ninety Nine” - a hard driving harp tune on the perennial subject of having too little cash. Lee and his band play it sparse and tough on Billy Boy Arnold’s “I Wish You Would” and Hound Dog Taylor’s “See Me In The Evening”, and then tear it up on the crowd pleasing Elmore James number, “Shake Your Money Maker.”
Lee’s “I’ve Been Thinking” heads in a soulful R&B direction, augmented by his punchy slide guitar and vocals. “You Give Me Nothing But The Blues” features a stylish interpretion of this Max Longmire/Guitar Slim New Orleans gem. With “Back on the Ground”, Lee writes of surviving a whirlwind relationship, and he and the band create a modern, hard driving setting for the message.
Two instrumentals serve as a showcase for Steve Yonck’s searing guitar work. With “Lucky Lou”, Yonck pays tribute to Jody Williams, whom he has had the pleasure of backing. On “Texas Hop”, Yonck pulls out all the stops, inspired by the Texas/West Coast stylings of Pee Wee Crayton and T-Bone Walker.
Lee’s original “Bucket of Chicken Wings” combines resolute slide guitar, compelling lyrics, and a current R&B rhythmic sense to create a song with a unique contemporary feel. Two further originals wrap up the album: the hot west coast jump tune “Knock It Off” and a closing mood piece, “Playing In The Dark.” The latter blends 1930‘s Mississippi Delta slide guitar motifs with a harmonically intriguing accompaniment.
Brian Lee & the Orbiters received the Washington Blues Society’s “Best of the Blues” award for “Best Traditional Band” in 2013, and for “Best Recording” and “Best Songwriter” in 2012. In addition to placing on the Living Blues Radio Chart, the Orbiters‘ previous album Identity Theft hit #1 on the Roots Music Report for nationwide airplay for Washington based bands.
Brian Lee & the Orbiters’ In Orbit takes traditional blues to a stellar new level!
In Orbit features several tunes with a Chicago lean, kicking off with Sonny Boy Williamson’s “Ninety Nine” - a hard driving harp tune on the perennial subject of having too little cash. Lee and his band play it sparse and tough on Billy Boy Arnold’s “I Wish You Would” and Hound Dog Taylor’s “See Me In The Evening”, and then tear it up on the crowd pleasing Elmore James number, “Shake Your Money Maker.”
Lee’s “I’ve Been Thinking” heads in a soulful R&B direction, augmented by his punchy slide guitar and vocals. “You Give Me Nothing But The Blues” features a stylish interpretion of this Max Longmire/Guitar Slim New Orleans gem. With “Back on the Ground”, Lee writes of surviving a whirlwind relationship, and he and the band create a modern, hard driving setting for the message.
Two instrumentals serve as a showcase for Steve Yonck’s searing guitar work. With “Lucky Lou”, Yonck pays tribute to Jody Williams, whom he has had the pleasure of backing. On “Texas Hop”, Yonck pulls out all the stops, inspired by the Texas/West Coast stylings of Pee Wee Crayton and T-Bone Walker.
Lee’s original “Bucket of Chicken Wings” combines resolute slide guitar, compelling lyrics, and a current R&B rhythmic sense to create a song with a unique contemporary feel. Two further originals wrap up the album: the hot west coast jump tune “Knock It Off” and a closing mood piece, “Playing In The Dark.” The latter blends 1930‘s Mississippi Delta slide guitar motifs with a harmonically intriguing accompaniment.
Brian Lee & the Orbiters received the Washington Blues Society’s “Best of the Blues” award for “Best Traditional Band” in 2013, and for “Best Recording” and “Best Songwriter” in 2012. In addition to placing on the Living Blues Radio Chart, the Orbiters‘ previous album Identity Theft hit #1 on the Roots Music Report for nationwide airplay for Washington based bands.
Brian Lee & the Orbiters’ In Orbit takes traditional blues to a stellar new level!
Spencer Mackenzie - Cold November (2018)
Spencer Mackenzie
"The blues just gives me a whole other world," says Spencer MacKenzie. "Whenever I'm playing it, on the stage or in my room, it just relieves me of anything that I'm worrying about. There's really no words to describe it."
Talent definitely prevailed where words might have faltered when the 18-year old south paw from Ridgeway, Ontario went home with the New Artist of the Year Award at the 20th annual Maple Blues Awards presented in January, 2017.
An only child, MacKenzie picked up the guitar at five, pursuing it seriously since he was eight. Introduced to a Stevie Ray Vaughan song by his guitar teacher he joined the dots to the blues that his father, a "huge lover of music," had always played around the house. MacKenzie took to blues music's minor pentatonic scale like the proverbial duck to water. Soon, he was feeling the notes, breathing life into them, practicing diligently and learning by listening to other musicians.
In 2013, MacKenzie was named the Rising Star at the Niagara Music Awards. His first big public appearance was at an open-mic blues jam at Donnelly's Pub in Thorold, Ontario. "It was April 15, 2015," recalls MacKenzie. "That day is when my career as a young blues musician all started and when I fell in love with performing."
2016 was a breakout year for the teenage sensation. He won the Toronto Blues Society New Talent Search earning a chance to perform in the Youth Showcase at the International Blues Challenge in Memphis, Tennessee as well as a scholarship from the Blues Foundation to attend Fernando Jones' famous Blues Camp in Chicago, Illinois.
That year, MacKenzie also released his debut CD, Infected with the Blues which was featured as the Album of the Week on Blues and Roots Radio. The album consists of 8 covers and 3 original songs co-written by MacKenzie. The title track spent sixteen consecutive weeks on the "Top 50 Roots Music Report " Blues Charts in Canada. The lyric, "I've got the blues running through my veins. People say I'm too young, that's a shame." reflects the perspective of a young man guided by an innate sentiment mature beyond his age. Goodbye Lucille is a heartfelt tribute to B.B. King, one of MacKenzie's heroes. His original song, Devil Under Her Skin placed third in the Blues Category in the 2016 International Songwriting Competition.
2017 was a busy year with appearances at the Aurora Winter Blues Festival, Orangeville Blues and Jazz Festival, Tremblant International Blues Festival, Beaches Jazz Festival and Tim Horton's Southside Shuffle among others. He opened for Canadian blues icons, Downchild and Jack de Keyzer.
Spencer MacKenzie is poised on the cusp of greater things. His new CD, Cold November was released in April
"My plans are open for anything that comes my way!," says MacKenzie. "If I am doing what I love to do - which is to perform, play guitar and sing - it could not get any better than that. I hope to one day branch out into the world and share my love of the blues beyond Ontario."
"The blues just gives me a whole other world," says Spencer MacKenzie. "Whenever I'm playing it, on the stage or in my room, it just relieves me of anything that I'm worrying about. There's really no words to describe it."
Talent definitely prevailed where words might have faltered when the 18-year old south paw from Ridgeway, Ontario went home with the New Artist of the Year Award at the 20th annual Maple Blues Awards presented in January, 2017.
An only child, MacKenzie picked up the guitar at five, pursuing it seriously since he was eight. Introduced to a Stevie Ray Vaughan song by his guitar teacher he joined the dots to the blues that his father, a "huge lover of music," had always played around the house. MacKenzie took to blues music's minor pentatonic scale like the proverbial duck to water. Soon, he was feeling the notes, breathing life into them, practicing diligently and learning by listening to other musicians.
In 2013, MacKenzie was named the Rising Star at the Niagara Music Awards. His first big public appearance was at an open-mic blues jam at Donnelly's Pub in Thorold, Ontario. "It was April 15, 2015," recalls MacKenzie. "That day is when my career as a young blues musician all started and when I fell in love with performing."
2016 was a breakout year for the teenage sensation. He won the Toronto Blues Society New Talent Search earning a chance to perform in the Youth Showcase at the International Blues Challenge in Memphis, Tennessee as well as a scholarship from the Blues Foundation to attend Fernando Jones' famous Blues Camp in Chicago, Illinois.
That year, MacKenzie also released his debut CD, Infected with the Blues which was featured as the Album of the Week on Blues and Roots Radio. The album consists of 8 covers and 3 original songs co-written by MacKenzie. The title track spent sixteen consecutive weeks on the "Top 50 Roots Music Report " Blues Charts in Canada. The lyric, "I've got the blues running through my veins. People say I'm too young, that's a shame." reflects the perspective of a young man guided by an innate sentiment mature beyond his age. Goodbye Lucille is a heartfelt tribute to B.B. King, one of MacKenzie's heroes. His original song, Devil Under Her Skin placed third in the Blues Category in the 2016 International Songwriting Competition.
2017 was a busy year with appearances at the Aurora Winter Blues Festival, Orangeville Blues and Jazz Festival, Tremblant International Blues Festival, Beaches Jazz Festival and Tim Horton's Southside Shuffle among others. He opened for Canadian blues icons, Downchild and Jack de Keyzer.
Spencer MacKenzie is poised on the cusp of greater things. His new CD, Cold November was released in April
"My plans are open for anything that comes my way!," says MacKenzie. "If I am doing what I love to do - which is to perform, play guitar and sing - it could not get any better than that. I hope to one day branch out into the world and share my love of the blues beyond Ontario."
terça-feira, 10 de julho de 2018
Vargas Blues Band - King Of Latin Blues [2CD] (2018)
Vargas Blues Band
Vargas Blues Band presents King of Latin Blues, a double album that brings together a score of his best songs, plus an unreleased track and re-recordings of some of his greatest hits with new guests. In this double album, Javier Vargas summarizes his almost three decades of uninterrupted career, where he has managed to turn the Vargas Blues Band into a reference worldwide. The first single that is published is Do not Let The Children Cry, an excellent unreleased track, and included in his new album King of Latin Blues, where Javier Vargas shows us the ability to surround himself with the best musicians, this time he has told with John Byron Jagger (nephew of Mick Jagger) as vocalist and Steve Hunter (known for having worked with artists of the caliber of Aerosmith, Lou Reed or Alice Cooper) on guitar. This same year Javier Vargas receives his Eighth Platinum Record for the sales of more than 300,000 records of his entire discography, something unprecedented within the blues, giving sample of the successful career that began in 1991 when his first album All Around was published Blues.
Tracklist
1. The King of The Latin Blues (feat. Steve Hunter & Bobby Alexander)
2. Coward's Knife
3. Don't Let The Children Cry (feat. John Byron Jagger & Steve Hunter)
4. Welcome to The World (feat. Paula Gomez The Catzz)
5. Back To The City
6. Passion Blues (Reprise 2018)
7. How verso are you? (feat. Devon Allman and Reeese Wynans)
8. No pasa nada
9. Hot Wires
10. Para Guarachar
11. Chill Out (Sácalo)
12. Luna
13. Exotic Mambo (feat. Alex Ligertwood and Reeese Wynans)
14. Right On
15. Blues Latino
16. Tierra del vino
17. Wahabu
18. Buenos Aires Blues
19. Aguaclara (feat. Juan Gómez "Chicuelo")
20. Spanish Fly
21. Del sur
22. Vivir al alba
23. New York City Blues
24. Sangre Española
25. Illegaly
26. Parisienne walkways
27. I Wonder If You Ever
28. Walking The Back Streets And Crying
29. 1969
Vargas Blues Band presents King of Latin Blues, a double album that brings together a score of his best songs, plus an unreleased track and re-recordings of some of his greatest hits with new guests. In this double album, Javier Vargas summarizes his almost three decades of uninterrupted career, where he has managed to turn the Vargas Blues Band into a reference worldwide. The first single that is published is Do not Let The Children Cry, an excellent unreleased track, and included in his new album King of Latin Blues, where Javier Vargas shows us the ability to surround himself with the best musicians, this time he has told with John Byron Jagger (nephew of Mick Jagger) as vocalist and Steve Hunter (known for having worked with artists of the caliber of Aerosmith, Lou Reed or Alice Cooper) on guitar. This same year Javier Vargas receives his Eighth Platinum Record for the sales of more than 300,000 records of his entire discography, something unprecedented within the blues, giving sample of the successful career that began in 1991 when his first album All Around was published Blues.
Tracklist
1. The King of The Latin Blues (feat. Steve Hunter & Bobby Alexander)
2. Coward's Knife
3. Don't Let The Children Cry (feat. John Byron Jagger & Steve Hunter)
4. Welcome to The World (feat. Paula Gomez The Catzz)
5. Back To The City
6. Passion Blues (Reprise 2018)
7. How verso are you? (feat. Devon Allman and Reeese Wynans)
8. No pasa nada
9. Hot Wires
10. Para Guarachar
11. Chill Out (Sácalo)
12. Luna
13. Exotic Mambo (feat. Alex Ligertwood and Reeese Wynans)
14. Right On
15. Blues Latino
16. Tierra del vino
17. Wahabu
18. Buenos Aires Blues
19. Aguaclara (feat. Juan Gómez "Chicuelo")
20. Spanish Fly
21. Del sur
22. Vivir al alba
23. New York City Blues
24. Sangre Española
25. Illegaly
26. Parisienne walkways
27. I Wonder If You Ever
28. Walking The Back Streets And Crying
29. 1969
segunda-feira, 9 de julho de 2018
Albert Collins - Joe's Place, Cambridge, MA 1973 (2014)
Albert Collins
1. Thaw Out (5:36)
2. Can't You See What You're Doin' To Me (5:17)
3. Gonna Walk With You Baby (5:44)
4. Get Down (7:04)
5. Frosty (4:40)
6. Conversation With Collins (8:42)
7. Back Stroke (5:31)
8. Stormy Monday (8:54)
9. Instrumental (8:22)
10. Encore (3:50)
The Texan blues giant Albert Collins enjoys far greater divinity in modern times than he was ever afforded before, especially at the point in his career when he provided a stunning set at Joe's Place in Cambridge, MA in 1973. Joe's Place offered a smaller and more intimate setting for Collins, who performs a selection of his repertoire including "Backstroke," "Frosty" and "Thaw Out," three gems from his 1965 debut The Cool Sounds of Albert Collins.
Collins applied his unique and revered style with piercing solos and unlikely improvisations that echoed his aforementioned debut from 1965, an icebreaker album that would help establish Collins as the guitar pioneer he is painted as today. Albert Collins was eventually acknowledged as one of the most talented and distinctive blues guitarists of his era. With unconventional tunings, savage interludes and a scorching delivery, he would earn recognition with his unique brand of blues.
1. Thaw Out (5:36)
2. Can't You See What You're Doin' To Me (5:17)
3. Gonna Walk With You Baby (5:44)
4. Get Down (7:04)
5. Frosty (4:40)
6. Conversation With Collins (8:42)
7. Back Stroke (5:31)
8. Stormy Monday (8:54)
9. Instrumental (8:22)
10. Encore (3:50)
The Texan blues giant Albert Collins enjoys far greater divinity in modern times than he was ever afforded before, especially at the point in his career when he provided a stunning set at Joe's Place in Cambridge, MA in 1973. Joe's Place offered a smaller and more intimate setting for Collins, who performs a selection of his repertoire including "Backstroke," "Frosty" and "Thaw Out," three gems from his 1965 debut The Cool Sounds of Albert Collins.
Collins applied his unique and revered style with piercing solos and unlikely improvisations that echoed his aforementioned debut from 1965, an icebreaker album that would help establish Collins as the guitar pioneer he is painted as today. Albert Collins was eventually acknowledged as one of the most talented and distinctive blues guitarists of his era. With unconventional tunings, savage interludes and a scorching delivery, he would earn recognition with his unique brand of blues.
sexta-feira, 6 de julho de 2018
Canned Heat - Canned Heat Recorded Live In Europe (1970)
1. That's All Right Mama
2. Bring It on Home
3. Pulling Hair Blues
4. Medley: Back Out on the Road/On the Road Again
5. London Blues
6. Let's Work Together
7. Goodbye for Now
quinta-feira, 5 de julho de 2018
Freddie King - Texas Cannonball Live
Freddie King
1 Your Move 6:20
2 Ain't Gonna Worry Anymore 5:24
3 Hideaway 4:51
4 Guitar Blues 1:16
5 Meet Me In The Morning 7:01
6 Sweet Home Chicago 8:04
7 Boogie On Down 5:25
1 Your Move 6:20
2 Ain't Gonna Worry Anymore 5:24
3 Hideaway 4:51
4 Guitar Blues 1:16
5 Meet Me In The Morning 7:01
6 Sweet Home Chicago 8:04
7 Boogie On Down 5:25
Sebastian Lane - Walkin' by Myself (2018)
Sebastian Lane is a blues guitarist/singer-songwriter with deep roots in the blues. As the Grandson of Jimmy Rogers and the son of Jimmy D. Lane, he is on a journey to continue the legacy of his family and the genre of blues music.
Sebastian Lane
Sebastian Lane
terça-feira, 3 de julho de 2018
Blue Room - Into the Night (1998)
This quartet has a pronounced identity that widens the blues genre immensely, which makes this Paul Irvine production so acceptable, not to mention entertaining. Paul Sanderson, well-known record biz lawyer shows his other side here, that of a songwriter and guitarist. The music of Blue Room is described as ?blues rock and roots based rock with elements of rock ?n roll, tex mex and country,? which covers a fair music agenda brought into proper focus by indelible blues, in addition to impressive sound and balance between the vocals and instruments. The songs, and the way they?re delivered by Brian Neller, grab your attention, and converts sounds from the past into a new whole.
1. On A Night Like This
2. Two Young Heroes
3. Another Angry Young Man
4. The Power of The Gun
5. Jack Kerouac
6. Float Like A Butterfly, Sting Like A Bee
7. Into the Night, Into the City
8. Crazy City
9. Devil
10. Moanin' And Groanin'
11. Get Out on The Highway And Go!
12. Don't Tell Me You Love Me
Assinar:
Postagens (Atom)











